| |
Band |
Song Title |
| |
| Madelyn's Set |
Peter Ulrich | Tagaharu's Leaving |
|
Johanna's House of Glamour | Up Five Flights |
|
Love Is Colder than Death | November Morning |
|
Purr Machine | Send Me an Angel * |
|
Yazoo | Tuesday |
|
The Smiths | Bigmouth Strikes Again |
|
Modern English | I Melt with You |
|
James | Ring the Bells |
|
Alphaville | Monkey in the Moon |
|
OMD | Electricity |
|
Depeche Mode | Photographic * |
|
Ultravox | We Came to Dance |
|
Visage | The Anvil |
|
Siouxsie and the Banshees | Hall of Mirrors * |
|
De/Vision | Another World |
|
Ministry | Over the Shoulder |
|
Evil's Toy | From Above Comes Sleep * |
|
Thrill Kill Kult | A Daisy Chain 4 Satan * |
|
Nine Inch Nails | Closer * |
|
Liabach | Germania Sympathy for the Devil * |
|
Throwing Muses | Fish * |
|
Sisters of Mercy | Temple of Love * |
|
Revolting Cocks | Beers, Steers and Queers * |
|
Nick Cave and the Bad Seeds | Red Right Hand |
|
Killing Joke | Love Like Blood * |
|
Rosetta Stone | Nothing |
|
Alien Sex Fiend | I Walk the Line |
|
The Damned | Grimly Fiendish * |
|
Lords of the New Church | Dance with Me |
|
David Bowie | Heart's Filthy Lesson * |
|
Bauhaus | Dark Entries |
|
TSOL | Nothing for You * |
|
Christian Death | Spiritual Cramp |
|
Cruxshadows | Marilyn, My Bitterness |
|
Concrete Blonde | Bloodletting * |
|
Autumn | The End of the Line * |
|
This Ascension | I Wish |
| |
| Alicia's Set |
Delerium |
Duende * |
|
Siouxsie and the Banshees | Monitor |
|
Die Form | Bite of Dog |
|
Leaether Strip | Lullaby |
|
Wumpscut | Tell Me Now |
|
Snog | Reigning Terror |
|
Love and Rockets | The Game |
|
Tones on Tail | Performance |
|
Sisters of Mercy | Dominion (Mother Russia) |
|
David Bowie | Ashes to Ashes * |
|
David Bowie | Hallo Spaceboy * |
|
Skinny Puppy | Inquisition |
|
Apoptygma Berzerk | Love Never Dies (Part 1) |
|
cut.rate.box | Heart Break Cinema |
|
Numb | Blood * |
|
1000 Homo DJs | Supernaut |
|
Faith and the Muse | Scars Flown Proud * |
|
Wumpscut | Mother |